Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote at the age of 11, in Salzburg: K. 37 and 39– The autographs, all held by the Jagiellonian Library, Kraków, are dated by his father as having been completed in April (K. 37) and July (K. 39–41) of Although these works were long considered to be original, they are now known to be.

The first movement of Mozart's Piano Concerto No. 17 in G Major, K. , is in _____ form and has four major themes. In addition to Theme 1, Theme 2, and a closing theme, all heard in both expositions, there is also a _____ heard in the solo exposition. There is one section that is unique to the recapitulation alone, called the _____.

Template:Piano Concertos (Mozart, Wolfgang Amadeus) Piano Concertos by Wolfgang Amadeus Mozart; Piano Concerto No.5 in D major, K; Rondo in D major, K; Piano Concerto No.6 in B ♭ major, K; Piano Concerto No.7 in F major for 3 (or 2) Pianos, K “Lodron”.

Sep 02,  · The Nannerl Music Book is interesting. Nannerl was Mozart’s older sister, and their father compiled a beginner collection of pieces for her. Later, little Mozart wrote some pieces that were then written down in Nannerl’s Music Book. What I find so neat is that these pieces were written when Mozart was between the ages of years old.

Piano Concerto No. 24 is actually one of only two piano concertos Mozart wrote in a minor key (the other is Piano Concerto No. 20 in d minor). Completed on March 24, , it is the largest of his piano concertos in terms of instrumentation; its score was written for one flute, two oboes, two clarinets, two bassoons, two horns, two trumpets.

Mozart’s symphonies, like those by Joseph Haydn, virtually invented the modern orchestra. In earlier generations, composing for a group of instruments together meant writing out the main musical lines and allowing for an accompanying keyboard instrument, usually a harpsichord, to fill in the rest of the harmony – the technique known as ‘figured bass’.

Incredibly, Mozart wasn't even 20 years old when he wrote this concerto. The violin is firmly centre stage and you get to really appreciate how clever Mozart’s melodies were without all the orchestral stuff getting in the way.. The first movement is a dainty affair (very Downton, actually), but it's the final movement where the violin really gets to show off.

Among them, fifteen were written in the years from to , while in the last five years Mozart wrote just two more piano concertos. Piano Concerto No. 1 in F major, K. 37 Piano Concerto No. 2 in B-flat major, K. 39 Piano Concerto No. 3 in D major, K. 40 Piano Concerto No. 4 in G major, K.